![]() ![]() If you are in need for getting quick results on pop/rock/jazz/blues tracks for professional backingtracks or media cues (radio/tv), you really should consider using BIAB. Just released 2017 edition has done some facelifting, but you are still looking at something that looks like from 90s. ![]() Its like a dynamite was throw to layout and all the million pieces were glued together. The thing simply is that midi programming and vst pairing needs more knowledge and work, and they chose to try get better sounding results for people who just want to get quick results easier.Īdditionally, program itself is an example of an worst kind of UI design. Still, I would prefer they would have put more effort on midi side, as improvisation and styling engine is excellent. With some clever programming those loops really sound good, no matter which chords and structural changes you throw together, be it half measures, bridges / anything. The cons are there too - PG has taken the path of realtracks, which are basically amazing sounding loops. Its a great tool for creating complete backing tracks, but it has nothing to offer for orchestral cinematic scoring. It shines on reallyclever engine which enables it to play unique solos (generated on the fly) and backing tracks (think of it as an AI based on music theory, using preset styles as guidelines for style it tries to match up to). Its also good for sketching backing tracks cue just needs that jazz/blues/ballad style.īIAB is mainly good for jazz, swing, big band, motown, rock, fusion, classic disco, county (+folk/bluegrass) and other more traditional band arrangements. I think it's a really underrated piece of software, as it can be used for many different purposes. He plays a guitar over BIAB live playback, filled with singer. My dad is a BIAB professional, having done hundreds of gigs (maybe over 500?) for over 20 years, ever since old DOS version. ![]()
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